MEMBER
Dancer
Tamami Takenoshita
Born in Kagoshima Prefecture and raised in Gifu City, Gifu Prefecture, she studied modern dance under Yuko Shinoda from the age of seven. In 2001, she completed the Dance Education Course in the Graduate School of Humanities and Sciences at Ochanomizu University. While a student at Ochanomizu University, she presented her own small works and studied regional performing arts. She also conducted fieldwork at the "Gujo Odori" dance festival in Gifu and traditional performing arts in Bali. In 2001, she participated for the first time in a Mademoiselle Cinema production. Since then, she has participated in her own solo works and Mademoiselle Cinema's performances in Japan and abroad. In recent years, she has been working as a dance mistress at Mademoiselle Cinema workshops and other events. As a system engineer, she has been involved in system development for telecommunications, social insurance, and credit card companies, while also working on the production of this website.
Natsumi Hasushi
Born in Fukuoka Prefecture and currently resides in Tokyo. Started rhythm dances such as HIPHOP and Jazz at the age of 3. After entering university, she discovered contemporary dance. Moved to Tokyo and joined Mademoiselle Cinema in December 2014. She has also worked as a stage director and sound designer at the same theater. She also works as an individual and has participated in choreographic works by Wataru Kitao, Ryu Suzuki, and others. She was a finalist in Competition II of Yokohama Dance Collection 2017.
Shiori Nakajima
She started classical ballet at an early age. Invited by a childhood friend, she joined a local citizens' musical at the age of 8. In high school, she was a member of the street dance club and discovered contemporary dance at the same time. She has performed in works by Shintaro Hirahara, Kim Ito, and others, and has been a member of Mademoiselle Cinema since 2015. In 2017, she graduated from Japan Women's College of Physical Education, majoring in dance. She works as a dancer while working full-time as a regular employee. She also takes the initiative in her personal activities, presenting her solo performance "I don't have to tell you." in 2018. She also works as a live delivery performance staff for a session house.
Mayuko Akimoto
Joined the dance club at junior high school and started dancing. She was also a member of the modern dance club at university, where he began contemporary dance while still in school and met Satoshi Ishibuchi(a member of CONDORS). After graduating from University, she had a chance to join Mademoiselle Cinema in April 2020. He also joined Team Kamogawa in October 2020. Currently, she is involved in web development as a system engineer and also performs live as an accordion player.
Moe Sugawa
Born in Tokyo, she began studying ballet at the Tokyo Ballet School at the age of 3. At the age of 15, she met Mademoiselle Cinema and participated in their performances in Japan, Mexico, and Ethiopia. In 2020, she received a master's degree from the Graduate School of Media Design at Keio University. She plans to perform "Boiling Mind," a study of the biological reactions of dancers and audiences, in 2023. She is an employee of a TV program production company.
Eha Kudo
She started classical ballet at the age of 4, studying under Ryoji Takahashi and Takako Miyagawa. At the age of 17, she encountered contemporary dance and began to dance seriously. In 2016, she enrolled in the Dance Education Course at Ochanomizu University. While studying a wide range of expressive arts, she actively participated in overseas travel opportunities, participating in Camping 2017 and 2018 organized by the Centre National d'Estée de la Danse in France, and performing at the Dance Institute of the Korea University of Arts. She also participated in commissioned works by Yukio Suzuki, Yo Nakamura, and Kim Namjin. She will be participating in Mademoiselle Cinema from 2024. Most recently, she was invited to perform in a Japan-Korea double bill at the Daegu Art Center to commemorate the 60th anniversary of the normalization of diplomatic relations between Japan and Korea, where she received high praise. She is attracting attention as a new dancer with her delicate physical expression and unique movements. On the production side, she is in charge of filming rehearsals and public relations, and for overseas performances she supports the company's local communication in English and other languages at an intermediate to advanced level.
Tomoko Odo
At the age of 6, she studied ballet at Matsuyama Ballet School. After that, she started creative dance in junior high school and has won prizes at national competitions. After entering Daito Bunka University, she studied contemporary dance under Ishibuchi Satoshi in the dance club (formerly the modern dance club). During her time at the university, she performed in many choreographed works by Nakamura Yo, Kurosu Ikumi's dance company "Bushman," Tamura Koichiro, Kogure Kaho, and others. In addition, during the COVID-19 pandemic, she performed remote performances streamed from each of their homes on Zoom, and was involved in choreographing, directing, and composing a 60-minute feature-length work. She began her own creative activities in 2023, and the following year in 2024, she was a finalist at the Yokohama Dance Collection Competition II. She joined Mademoiselle Cinema in the same year. In 2025, she participated in a double bill performance to celebrate the 60th anniversary of Japan-Korea diplomatic relations. She captivates audiences with her rich emotional expression and solid technique, and at Mademoiselle Cinema she adds color to the stage with her performances that combine flexibility and strength.
Assistant
Shunsuke Nabeshima
A graduate of Waseda University, he has contributed to the creation and realization of many works performed both in Japan and abroad as a choreographer and assistant director. He also has ample experience in co-productions with overseas organizations, including the Avignon Theater Festival in France, a performance in Mexico, and the Ethiopia International Festival. He is an important member of the company, taking on a variety of roles, including managing the progress of creation and rehearsals, technical coordination, and assistant director.